11/18/2023 0 Comments Tim henson marriedMaybe it was the transition from violin to guitar that made him develop the ability of improving since there's a tendency in the guitar world to let's say "wing it ". Classical musicians often have the technical abilities to play intricate pieces written on a score but when having to come up with something on their own they have difficulties most of the time. This is something that stuck out for me when I found out he was a classically trained musician because let's be honest they are not the best at improvising. I don't know how well versed Tim is on advanced theory but he knows what he plays and knows how to go for a sound whenever he wants which is something that comes from many years of playing and having the theory to look for what you want. I recently saw a post on this subreddit of someone asking how does Tim do his beats? How does he play piano, guitar and drums to make beats? If you are a 13 year old kid, be aware that Tim Henson has been a musician for the entirety of your existence plus 10 YEARS!! Polyphia has gained lots of popularity among young and old people but they have mostly had an impact on kids ranging from 13 to 18. Now what does that mean? Well, Tim is 26 years old now meaning he's been a musician for roughly 23 years. In an interview with Tyler Larson from Music is Win Tim said he began classical training at age 3 because "Asian moms are crazy" □. So let's break it downġ- This is the most important element of Tim being incredible good as a musician and is one of the main aspects of music: TIME I find that to be really powerful.This may not come out as something new to some people since it is basically common sense and pretty obvious but I felt the need to post something like this because some kids here don't seem to grasp the fundamental notion of being good at something. “People are laughing and they’re enjoying themselves, and then all of a sudden they’re kind of sucker-punched with what it is to dive into somebody else’s lived experience. “I do love how can get at powerful and painful subject matter, things that have to do with immigration and finding your place in the world and colorism, and being a woman, but she manages to attack it with humor,” adds Mensah. “I love Jocelyn’s approach to storytelling because it always involves humor,” says Mensah, recalling a quote by the late Peter Ustinov: “comedy is simply a funny way of being serious.” Often, those reactions are in response to the play’s many humorous beats by the end of the play, the laughter often yields to quiet sobbing. “The audience is crafting their own narrative alongside the narrative that we’re playing on stage, and sometimes they are very funny.” I think we’ve seen that with a lot of Black plays on Broadway, for everything from ‘Slave Play’ to ‘The Piano Lesson’ to this play, just inviting the audience to be a part of the story,” she says. “It’s been a more participatory experience. Mensah notes that taking in the auditory reactions from audiences has been a rewarding aspect. “That vulnerability was what made me fall in love with her, and I think that’s also what audiences are responding to.” “ is somebody who’s very soft, and I don’t often get to play characters whose underbelly is so exposed,” says Mensah. Mensah stars as Aminata, a salon old-timer navigating a strained marriage. Instead, the focus swivels between several of the stylists, all immigrants, who rent salon chairs and style a rotating cast of customers who come in for braids. Set inside of a hair salon in Harlem, the play is set over the course of one day, both routine and monumental, as the eponymous salon owner (only onstage for one scene) prepares to get married. “Jocelyn had told me that she was working on something that would take place in a hair braiding salon and I was like, ooh - that sounds good,” says Mensah, who participated in a reading of “Jaja” in 2021, and notes that the power of the story was apparent even in that pared-down performance. Writer Jocelyn Bioh also penned the 2021 Off-Broadway production “Nollywood Dreams,” which Mensah starred in as well. “Jaja’s African hair Braiding” went straight to Broadway, the first play - completely written by, directed by, and starring Black people - to do so in several decades. Multifaceted Modern Artist Sonia Delaunay to Get Exhibition, Thelma Golden Wins Gish Prize
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